Article 370: Yami Gautam's Film Unveils a Transformed Kashmir, Mirrored in Sachin Tendulkar's Street Cricket Moments
Article 370: Yami Gautam's Film Unveils a Transformed Kashmir, Mirrored in Sachin Tendulkar's Street Cricket Moments
Yami Gautam's Article 370 released on February 23. The film also stars Priyamani in a pivotal role.

Yami Gautam’s highly anticipated Article 370 hit the theatres today. During the film’s promotions, the actress shared how shooting for the film was quite an easy experience for them. Another example of things getting better in the valley after the abolition of Article 370 was seen when a few pictures of Sachin Tendulkar playing cricket in the streets surfaced on social media. 

The very story of a new Kashmir and all the hard work that has led to it is described in Article 370. The film focuses on the period that led to the abrogation of Kashmir’s special status. It was released in theatres and brings out an iconic chapter that will make every Indian proud.

From Jio Studios and the maker of Uri: The Surgical Strike comes Article 370, a high-octane action political drama, headlined by Yami Gautam and directed by National Award-winner Aditya Suhas Jambhale. Produced by Jyoti Deshpande, Aditya Dhar, and Lokesh Dhar, the film was released in cinemas worldwide.

News18 Showsha reviewed the film and gave it 3.5 stars. Speaking of Yami’s performance, the review read, “Yami Gautam Dhar, who plays Zooni Haksar, delivers an impressive performance. She brings a lot of stillness and dignity to the table and makes sure that she never forays into hysteria, even while expressing her intense emotions about Kashmir. Watch out for this one monologue she delivers, where she sheds light on how Kashmir’s biggest enemy is its billion-dollar conflict economy and its affluent class. The credit also goes to the dialogue writers. In many other scenes, she lets her eyes do most of the talking.”

The review also added, “Article 370 has been shot in some real locations that impart a lot of authenticity to the narrative. Cinematographer Siddharth Vasani captures the essence of Kashmir with such aplomb that each frame set there smells of the valley. The solemnity of the narrative is perfectly conveyed through the muted tones of blue and gray that predominate the film. At 2 hours and 40 minutes, Article 370 largely manages to keep you hooked. The makers waste no time and dive into the crux of the story in the first half, and it makes for a fast-paced experience till the point of intermission. It’s the second half of the film that appears stretched out.”

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