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Four years after its last physical edition, Jio MAMI Mumbai Film Festival is back to bringing together filmmakers and cinephiles from across the board. The film festival will run from October 27 to November 5 at Mumbai’s NMACC. This year, MAMI has focused its spotlight on south-Asian cinema and talents which will facilitate a healthy and informative exchange between filmmakers from different regions and has created a space for international press. In an exclusive chat with News18, Deepti DCunha, Artistic Director, Jio MAMI Mumbai Film Festival, says that the idea this year is to ‘expand the scope of the festival’.
DCunha’s association with MAMI goes back to 2015 when she worked as part of the Indian selection team till 2019 where she ‘sourced films and programmed them’ for sections like India Gold, India Story and Spotlight. In our interaction, she speaks about her vision for this year’s MAMI, Bhumi Pednekar’s recent association with the festival, how Priyanka Chopra Jonas and Sonam Kapoor Ahuja’s presence will help grab more eyeballs and more. Excerpts:
What was the thought behind the focus on south-Asian cinema?
One of the main aspects of our new expanded vision is that we’ve extended our competition section beyond the Indian competition section, which already had become the place for Indian independent filmmakers to come and compete, to south-Asian competition. We’re now including countries in south-Asia and we want MAMI to become the hub of south-Asia because we do believe that there’s talent not only within India but also countries around India who don’t have a film festival of their own. Mumbai city can accommodate that because we are not only the financial capital of the country but also very passionate about films. One of the biggest film industries in India is in Mumbai. We definitely want talents to come here from south-Asian regions because we’ve some really incredible directors there. We’re culturally very similar and our stories are similar. So, there will be a possibility to have MAMI as the festival from where they break out to the rest of the world. To enable this, we’ve come up with the south-Asia competition section and south-Asia non-competition section. We’re open to shorts, features and films of all lengths by filmmakers at any stage of their careers.
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This year, we also have a filmmakers program in which we’re inviting international debuts and second films along with their directors. There will also be a curated list of screenings of these films for our south-Asian directors and then have case studies presented to them so that filmmakers can learn from each other how films are produced around the world by watching and exchanging stories. We’ll also have other kinds of panels and workshops, which are aimed at upscaling the filmmakers, providing newer trends in the market and sensitising them about how to approach content.
So, will we see any international talents coming in this year?
Most definitely. We’ve extended our invite to a lot of senior filmmakers who’re excited but we can’t reveal their names yet. But as always, MAMI can guarantee that Indian and south-Asian cinephiles will get a lifelong memory of seeing someone who they would’ve never seen in India if it hadn’t been for MAMI.
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